By Jui-Nien Liu, Irene Liu, Hsiao-Chi Li
This set of 2 60-minute audio cassettes for a brand new textual content for contemporary China (an up-to-date and revised model of A chinese language textual content for a altering China) comprises essays and vocabulary lists recorded by means of local audio system of chinese language. during this third-year direction for faculty and grownup freshmen of chinese language as a moment language, parts of a language guideline ebook and an updated cultural reader are mixed into an cutting edge entire. all the 5 devices within the textbook starts with an unique essay on subject matters suitable to daily life and modern matters in China. each one essay is observed through 3 similar newspaper or journal articles from chinese language guides. The examining fabric is by way of lists of latest vocabulary, inventory words, grammatical causes and workouts to enhance language studying. fabric is in conventional and simplified characters with pinyin. Grammar reasons are in English.
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Extra info for A New Text for Modern China (C & T Asian Language Series)
Html 8. SARFT (2013) Top ten cinemas by box-office revenue. xls 9. Chenlu S (2012) ‘Endogenous growth’ called for in Film Market. Liberation Daily, 6 Jan 2012 Chapter 3 Development Report on the News and Publishing Industry (2011–2012) Dongfa Xiao and Rong Ruan The news and publishing industry primarily comprises six main categories – books, periodicals, newspapers, audio and video products, and electronic and digital publishing. Its main oversight authority is the General Administration of Press Publication of the People’s Republic of China (GAPP), while other interested bodies include the Ministry of Industry and Information Technology of the People’s Republic of China (MIIT), the State Administration of Radio Film and Television (SARFT), the National Copyright Administration of the People’s Republic of China (NCAC) and the Publicity Department of the Central Committee of the CPC (PDCPC).
Many investors have realized the increasingly greater investment risk in building cinemas, as any drop in individual cinema income prolongs the expected capital reclamation period. Looking at the industry as a whole, the cinema construction trend has reached a downturn. 1 Analysis of Film Industry Prospects in 2013 Box Office Revenue Has Reached New Highs Each Year but the Film Industry Is Expected to Grow Endogenously In 2012, a total of 21 domestic films generated in excess of CNY 100 million in box office revenue, 6 films reached more than 200 million box office, and 3 films reached more than 700 million box office.
References 1. The State Administration of Radio Film and Television (SARFT) (2013) Box-office revenue for domestically-produced films. cn/articles/2013/01/11/20130111112236730833. html 2. People’s Daily Online (2013) Review 2012 Chinese film. html 2 Development Report on the Film Industry (2011–2012) 25 3. Industry Research Centre of China Film Association (2011) 2011 China film industry research report, May 2011. China Film Press, Beijing, p 4 4. SARFT (2013) Top ten domestic films by box-office revenue.